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We tested it on Patiño’s 2013 MacBook Pro (2.6GHz Intel Core i5 with 8GB of RAM) and our 2013 Mac Mini (2.6GHz Core i7 with 16GB of RAM). Portraiture’s overall performance and stability also impressed us. At a minimum, you’ll likely find yourself dialing back the smoothing effect to a more modest range of 10–20 percent and taking advantage of Portraiture’s other controls, such as masking, warmth, tint and contrast control, to refine the effect. Suffice it to say, Portraiture is not a one-click fix, and unlike the still version of the program, the video plugin doesn’t offer presets. When you crank the smoothing up above the 50 percent default, you rapidly lose facial details and it starts to look like you smeared Vaseline over your subject’s face. Patiño liked that the program comes on strong since “you know it’s working.” But this default is probably going to be far more than you need on even the most, well, deserving of faces. Out of the gate, Portraiture applies smoothing at 50 percent and it’s immediately apparent. This is largely due to how aggressive the default “smoothing” setting is. In one close up of a model with bleached blonde hair, we noticed the default effect of Portraiture cannibalized detail in the hair and blurred out texture in the clothing.
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Things got a bit messier at the boundary between skin and hair or clothing that resembles a skin tone.
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The first thing Patiño relayed about his time with the software was that it “really nailed” wide open areas of skin. Portraiture was able to identify all these rapidly moving mugs and apply its edits to them instantly.
Models strutted on the catwalk and passersby streamed through the frame. We chose the clip because we felt it was particularly challenging, not just for the number of faces but for the variety of skin tones and types it threw at Portraiture in rapid succession. Patiño pulled up some video he had edited of a fashion shoot hosted in a mall. For the former, the plug-in worked flawlessly. We were curious to see how well Portraiture could identify and retouch faces on the fly, and how well it could handle the boundaries between skin, hair and clothing. Next to every option you’ll have the usual “reset parameter” option to scurry back to the default setting. We found the sliders much more intuitive when starting out, since it took us a while to understand what Portraiture’s numbers corresponded to in terms of image effects. When you apply the Portraiture plugin, you’ll have the option of adjusting the smoothing effect either by keying in a value from 1–100 directly, or by expanding a window to access a slider. Simply drag and drop Portraiture onto the clip you wish to edit and make further adjustments in Premiere’s Effects Control pane. Upon installation, Portraiture will appear in the effects library and behave like any of Premiere’s other baked-in effects tools. (See a short video of our Portraiture test in action here.)Īnyone familiar with Premiere Pro will have no trouble navigating the Portraiture toolset. We also tested AVCHD footage from a JVC video camera.
We tested Portraiture in Adobe Premiere Pro CC with photographer and director David Patiño using Cinema DNG and ProRes 422 files captured with a Blackmagic Pocket Cinema Camera.
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It’s available for a 15-day free trial, after which it requires an annual subscription of $99 a year. It will work on any of the video formats natively supported by your video editor of choice and can handle 8 and 32 bits-per-channel processing across all supported programs, with 16 bits-per-channel processing additionally available for Adobe After Effects. Portraiture works as a plug-in for most of the high-end video-editing titles on the market including Adobe Premiere Pro, After Effects, Apple’s Final Cut Pro, Sony Vegas Pro and DaVinci Resolve. From our time with the program, we’d say they’ve largely succeeded. The company has now embarked on a more ambitious task: to apply the same automatic facial retouching to video. ►If you like this Video than Please Click on that LIKE Button and also Please SUBSCRIBE My Youtube Channel ‘Creative Photoshop.Imagenomic cut their virtual teeth on technology that algorithmically massaged faces in still photographs to cleanse them of blemishes and otherwise give them a clean, youthful glow.
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